Scarlett OHara: Tragic Hero? According to Aristotle, there are triad reciprocal occurrences in the lives of all tragic milling machineryes. The authorized tragic hero of Aristotelian poetics is of noble derivation and nature. The inglorious flaw which is commonly hubris, or pride, commonly precipitates a ruinous downfall (Greenberg par.1). Lastly, a humbled recognition of his flaw, and a shiner of fortune mustiness occur. Scarlett OHara, from Margaret Mitchells Gone With the Wind, exhibits all the qualities of a tragic hero as defined by the famous playwright Aristotle. The first distinctive of all tragic heroes is nobility. Scarlett OHara was born the little girl of a squiffy and successful grove owner in Clayton County, Georgia in the 1840s. Her family was held in high esteem by the neighboring plantation owners, and their plantation, Tara, produced large like crops. This harvest, which was bountiful in the least, brought in a steady income every year, enough to pa y all of their needs. They looked erupt past Gerald OHaras newly plowed cotton fields toward the rosy-cheeked horizon. (Mitchell 7) As Scarlett matured, she rarely had to go without any(prenominal)(prenominal) lovely of craved object, and many thought her spoiled because of this. Scarlett was not a beautiful looking girl, but she was very pretty, and took pride in her looks. ...
how her colour eyes danced, how deep her dimples were when she laughed, how tiny her hands and feet, and what a minor(ip) waist she had. (Mitchell 14) She was envied by the other girls, for she was able to catch any man using her charm . Scarlett OHara was not beautiful, but men ! rarely realized it when caught by her charm... (Kelly, par. 1). This, combined with her self-centeredness helped her steal the beaux out-of-door from many of her friends, and even her own sister. Scarlett OHara... If you want to get a full essay, order it on our website:
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