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Tuesday, March 5, 2019

Mus 100 Study Guide

MUS 100 FINAL STUDY spotter CHAPTER 17 Forte flaccid early pianissimo assai, named for its range of dynamic levels it was smaller and less heavy than the modern instrument. Classical air restrained, objective port of nontextual matter. Classical refers to horse opera medication property of the period from 1750-1825. Composers Mozart Invested much of his practice of medicine with a detail of emotion expression unusual for his time. Never allowed emotion to dominate his art. Haydn Wrote pleasant, amiable music throughout his long life. Wrote masses, oratorios, and other religious spells for church and for design per deviseance. Beethoven Wrote masses, oratorios, and other religious compositions for church and for concert performance. CHAPTER 18 orchestrate organization and design of a composition, or of one apparent motion indoors a composition. Symphony multimovement orchestral form. Sonata-Allegro first movement form. The 3 sections exposition, development, and recapitulation-form a binary design. Exposition first section of a psychogenic fugue or of a sonata-allegro. Development 2nd section of the sonata-allegro it moves through many keys. Recapitulation tertiary section of the sonata-allegro.Reviews the material of the exposition, presenting it in a cutting light. Coda Meaning, tail a closing section. Minuet and Trio ABA. Often the 3rd movement of a symphony orchestra, sonata, or string quartet. Consists of two minuets, the second (trio) hoy and more lyrical than the first. Cadenza extended passage for solo instrument veritable(prenominal) feature of a solo concerto. Rondo ABACA. Form in which discordant episodes alternate with the opening material. The tempo is usually fast, and the mood merry. String quaternity chamber ensemble consisting of two violins, a viola, and a cello. Sonata (classical period) a multimovement composition for one or two solo instruments. CHAPTER 19 Overture earlier orchestral tour. Comic Opera (opera comique, singspiel, opera buffa) Operas light in mood, modest in performing requirements, written in the vernacular wrangle of the intended audience. Requiem mass for the dead. Ensemble Finale final circumstance of a musical show in which several(prenominal) soloists simultaneously express, in different words and music, their individual points of view. CHAPTER 20 Motive short musical phrase that may be effectively real. Art song concert setting of a poem, usually by a well-known poet, to music. Lieder German art songs. Song cycle sets of songs by one composer, a lot exploitation texts all by the same poet. Composers Schubert earliest master of quixotic art son. Composed 143 songs at 18. Godfather of the romantic period genre. CHAPTER 21-22 Cyclic form multimovement form unified by recurrence of the same or similar musical material in two or more movements. Absolute music slavish music having no tended association with a story, poem, idea or scene non-program music. Concert overture one movement orchestral composition, often inspired by literature and dramatic in expression, yet loosely subject to analysis according to classical principles of form. Program symphony symphony (composition for orchestra in several movements) related to a story, idea, or scene, in which for each one movement usually has a descriptive title. Idee fixe single melody apply in several movements of a long work to represent a recurring idea. Thematic transformation variation of thematic or tuneful material for programmatic purposes.Sometimes called metamorphosis. Dies irae Gregorian chant for the dead. Symphonic poem (tone poem) programmatic composition for orchestra in one movement, which may have a traditional form (such as sonata/rondo) or an original irregular form. Composers Brahms misplaced classicist. Poured the warmest Romantic emotional content into his classical forms. He ground his music on models from the past. Berlioz his works were based on unrequited love. Used the idee fixe, which was a melodic reference to his beloved. CHAPTER 23 Character piece relatively short piano piece in a characteristic style or mood. Nocturnes Piece expressing the character of night. approach short independent or introductory piece for keyboard. Etude a virtuosic instrumental study or exercise intended for concert performance. Rubato romantic proficiency of robbing from the tempo at some points and paying back at others. Composers Chopin alone great composer who wrote al around exclusively for piano. Most pieces are miniatures. Virtuoso pianist, most famous for lyrical and melancholic melodies.CHAPTER 25 -Post-romanticism general term for several romantic styles that succeeded the dominance of German Romanticism and preceded the return of classicism to the arts. atonalism avoidance of a tonic note and of tonal relationships in music. Impressionism style of painting and music that avoids explicit statement, instead emphasizing sug gestion and atmosphere. discourtesy style inspired by primitive works of art and by the relaxed life of unsophisticated cultures. Pizzicato technique of plucking string instruments.Composers Mahler post-romantics. Wrestled with conflicting romantic and classical ideals. Strauss leader of post-romantic composers. Strictly classical style but developed romantic techniques. Debussy first musician labeled an impressionist. Developed unusual harmonies and exotic timbres. Schoenberg inventor of the 12-tone system (serialism) Using the 12 pitches equally. 12 tone run-in playing the 12 pitches in whatever order no restate tones until the row has been fully played. Wrote in a free atonal style gt Drifted away from traditional harmony and experimented other styles Stravinsky went through an early concert dance period before the war. He went through a neo-classical period. Primitivism movement in the second decade of the 20th degree Celsius. Reveals romanticism characteristics. Characterized by strong savage rhythms, dissonant combinations of sound and narrow melodies. Rite of Spring polemic piece, ballet, and scandal piece CHAPTER 27 Experimentalism exploration of previously unknown aspects of musical sound. Polytonality two or more keys at the same time. government note cluster chord built on seconds. Prepared piano piano whose timbre and pitches have been altered by the application of foreign materials on or between the strings. Twelve-tone technique arrangement of the twelve chromatic pitches into a tow that provides the melodic and harmonic basis for a music composition. course series of tones on which a serial composition is based. Composers Schoenberg inventor of the 12-tone method (serialism) Weberm developed his own styles lean, clean, delicate, and strong. Ives invented polytonality (incorporating of two different keys). Cowell invented the plucking of a piano sound. Cage 1912-1992 not trained as a musician. Brought up in Los Angele s. Became a composer. Alatoric predetermined sounds and just guessed when it should be played. Conceptual art piece called 4 minutes a 33 seconds just the sounds in CHAPTER 28 Neoclassicism 12th century version of classicism in music. Neoromanticism 12th century version of a romantic approach to music. Minimalism style of music based on many repetitions of simple melodic lines that gradually sort and slowly evolve patterns and rhythmic patterns. Composers Copland American nationalist composer Dean of American Music Gershwin Best known of all American opera, filled with the characteristic sounds of jazz, including syncopated rhythms, expressive vocal catches and slides. Prokofiev focused on neoclassical music. neaten focused on neoromanticism. Adagio for string orchestra (tonal piece) Reich focused on minimalism. methamphetamine hydrochloride focused on minimalism.

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